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G.F. Abbott, Through India with the Prince, London, 1906

 

ADAMOVA 2008

A.T. Adamova, Medieval Persian Painting: The Evolution of an Artistic Vision, New York, 2008

 

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R. Ahluwalia, Rajput Painting: Romantic, Divine and Courtly Art from India, London, 2008

 

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F.S. Aijazuddin, ‘Honoured Images: The Use of Portraiture in Sikh Diplomacy’, in Anand ed. 1981, pp. 89–94

 

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M.E. Aitken, ‘Pardah and Portrayal: Rajput Women as Subjects, Patrons, and Collectors’, Artibus Asiae, vol. 62, no. 2, 2002, pp. 247–80

 

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M.E. Aitken, ‘Parataxis and the Practice of Reuse: From Mughal Margins to Mir Kalan Khan’, Archives of Asian Art, vol. 59, 2009, pp. 81–103

 

AITKEN 2010

M.E. Aitken, The Intelligence of Tradition in Rajput Court Painting, New Haven, 2010

 

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M.E. Aitken, ed., A Magic World: New Visions of Indian Painting, Mumbai, 2016

 

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M. Archer, India and British Portraiture, 1770–1825, London, 1979

 

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M. Archer, Company Paintings: Indian Paintings of the British Period, London, 1992

 

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W.G. Archer, Paintings of the Sikhs, London, 1966

 

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W.G. Archer, Indian Paintings from the Punjab Hills: A Survey and History of Pahari Miniature Painting, London, 1973

 

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R.R. Arrowsmith, ‘“An Indian Renascence” and the Rise of Global Modernism: William Rothenstein in India, 1910–11’, The Burlington Magazine, vol. 152, no. 1285, 2010, pp. 228–35

 

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C. Asher, Architecture of Mughal India, Cambridge, 1992

 

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L. Ashton, ed., The Art of India and Pakistan: A Commemorative Catalogue of the Exhibition Held at the Royal Academy of Arts 1947–8, London, 1950

 

ATWAL 2017

P. Atwal, ‘Between the Courts of Lahore and Windsor: Anglo-Indian Relations and the Re-making of Royalty in the Nineteenth Century’, PhD thesis, University of Oxford, 2017

 

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S. Baburi, ‘Blood and Gore: Images of Execution in Illustrated Shahnamas and an Illustrated Padshahnama for Shahjahan Padshah I’, in M. Milz, ed., Painting the Persian Book of Kings Today: Ancient Text and Modern Images, Cambridge, 2010, pp. 139–61

 

BABURI 2012

S.N. Baburi, ‘Beyond the Akbar nama: Padshah Namahs and Official Regnal Chronography for Shah-Jahan Padshah I’, PhD thesis, School of Oriental and African Studies, University of London, 2012

 

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G. Bailey, The Jesuits and the Grand Mogul: Renaissance Art at the Imperial Court of India, 1580–1630, Washington, 1999

 

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B. Balfour, Personal and Literary Letters of Robert, First Earl of Lytton, 2 vols, London, 1906

 

BALLINBAR 2015

L. Ballinbar, Imperial Identity in the Mughal Empire: Memory and Dynastic Politics in Early Modern South and Central Asia, London, 2015 

 

BANCE 2009

P. Bance, Sovereign, Squire and Rebel: Maharajah Duleep Singh and the Heirs of a Lost Kingdom, London, 2009

 

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W. Barr, Journal of a March from Delhi To Peshawur, and from thence To Cabul, with the mission of LieutenantColonel Sir C.M. Wade, London, 1840

 

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D. Barrett and B. Gray, Indian Painting, Geneva, 1963

 

BASU 2010

S. Basu, Victoria & Abdul: The True Story of the Queen’s Closest Confidant, Stroud, 2010

 

BASU 2015

S. Basu, For King and Another Country: Indian Soldiers on the Western Front, 1914–18, New Delhi, 2015

 

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Sharmadip Basu, ‘Tuning Modernity: Musical Knowledge and Subjectivities in Colonial India, c.1780 – c.1900’, PhD thesis, Department of Social Science, Syracuse University, 2011

 

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J.K. Bautze, Interaction of Cultures: Indian and Western Painting, 1780–1910: The Ehrenfeld Collection, Alexandria, Va., 1998

 

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C.S. Bayley, Chiefs and Leading Families in Rajputana, Delhi, 1894

 

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S. Bayly, Saints, Goddesses and Kings: Muslims and Christians in South Indian Society, 1700–1900, Cambridge, 1989

 

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M.C. Beach, ‘The Gulshan Album and its European Sources’, Bulletin of the Museum of Fine Arts (Boston), vol. 63, no. 332, 1965, pp. 63–91

 

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M.C. Beach, The Grand Mogul: Imperial Painting in India 1600–1660, Williamstown, Mass., 1978

 

BEACH 1981

M.C. Beach, The Imperial Image: Painting for the Mughal Court, Washington, 1981

 

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M.C. Beach, Early Mughal Painting, New York, 1987

 

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M.C. Beach, The New Cambridge History of India, vol. 1, part 3: Mughal and Rajput Painting, Cambridge, 1992

 

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M.C. Beach and E. Koch, The King of the World: The Padshahnama, an Imperial Manuscript from the Royal Library, Windsor Castle, London, 1997

 

BEACH, GOSWAMY AND FISCHER 2011

M.C. Beach, B.N. Goswamy and E. Fischer, Masters  of Indian Painting 1100–1900, 2 vols, Zurich, 2011

 

BEAUTIES OF LUCKNOW

Anonymous, The Beauties of Lucknow, consisting of twenty-four selected photographed portraits, cabinet size, of the most celebrated and popular living histrionic singers, dancing girls and actresses of the Oudh court and of Lucknow, Calcutta, 1874

 

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F. Bernier, Travels in the Mogul Empire AD 1656–1668, ed. V. Smith, New Delhi, 1969 

 

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G.D. Bhatnagar, Awadh under Wajid Ali Shah, Varanasi, 1968

 

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E. Binney, Indian Miniature Painting from the Collection of Edwin Binney 3rd: The Mughal and Deccani Schools, Portland, Ore., 1973

 

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C. Branfoot, ‘Gateways to God: The Development of the City Temple in Tamil Nadu’, in Gods on The Move: Architecture and Ritual in the South Indian Temple, London, 2007, pp. 41–86

 

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M. Brown, ‘A “Complimentary Mission” from Nawab Nasir-ud-Din Haider to King William IV’, Asian Affairs, vol. 32, part 3, 2001, pp. 279–86

 

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J. Bryant, ‘Kipling’s Royal Commissions: Bagshot Park and Osborne’, in John Lockwood Kipling: Arts & Crafts in the Punjab and London, New Haven, 2017, pp. 435–68

 

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A. Buddle, The Tiger and the Thistle: Tipu Sultan and the Scots in India 1760–1800, Edinburgh, 1999

 

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A.M. Cameron, Drawn from Courtly India: The Conley Harris and Howard Truelove Collection, New Haven, 2015

 

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C. Campbell, The Maharajah’s Box: An Imperial Story of Conspiracy, Love and a Guru’s Prophecy, London, 2010

 

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C. Capwell, ‘Marginality and Musicology in Nineteenth-Century Calcutta: The Case of Sourindro Mohun Tagore’, in B. Nettl and P. Bohlman, eds, Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, Chicago, 1991, pp. 228–43

 

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C. Capwell, ‘A Ragamala for the Empress’, Ethnomusicology, vol. 46, no. 2, 2002, pp. 197–225

 

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G. Chakravarty, The Indian Mutiny in the British Imagination, Cambridge, 2005

 

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K. Chancey, ‘Rethinking the Reign of Asaf-ud-Daula, Nawab of Awadh, 1775–1797’, Journal of Asian History, vol. 41, no. 1, 2007, pp. 1–56

 

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S. Chandra, Indian Miniature Painting: The Collection of Earnest C. and Jane Werner Watson, Wisconsin, 1971

 

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S. Chandra, The Oppressive Present: Literature and Social Consciousness in Colonial India, Oxford, 1992

 

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G.S. Cheema, The Forgotten Mughals: A History of the Later Emperors of the House of Babar (1707–1857), New Delhi, 2002 

 

CHOWDRY 2017

A. Chowdry, The Book of Gold, 2017 (e-book)

 

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P. Clark and J. Crocker, Treasures from the Royal Archives, London, 2014

 

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M. Clayton, Holbein to Hockney: Drawings from the Royal Collection, London, 2004

 

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M. Clayton, ‘Musical Renaissance and its Margins in England and India, 1874–1914’, in Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East, Aldershot, 2007, pp. 71–93

 

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A.K. Coomaraswamy, Catalogue of the Indian Collections in the Museum of Fine Arts, Boston. Vol. VI: Mughal Painting, Boston, 1930

 

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R. Crill, S. Stronge and A. Topsfield, eds, Arts of Mughal India: Studies in Honour of Robert Skelton, London, 2004

 

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W. Dalrymple, The Last Mughal: The Fall of Delhi, 1857, London, 2006

 

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A.K. Das, Mughal Painting during Jahangir’s Time, Calcutta, 1978

 

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A.K. Das, ed., Mughal Masters: Further Studies, Mumbai, 199

 

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A.K. Das, ‘Books and Pictures from the Zenana Mahal: The Collection of Manuscripts from Hamida Banu Begum’, in The Diverse World of Indian Painting: Essays in Honour of Dr. Vishwa Chander Ohri, New Delhi, 2009, pp. 20–8 

 

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A.K. Das, Wonders of Nature: Ustad Mansur at the Mughal Court, Mumbai, 2012

 

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M. Desai, ‘Interpreting an Architectural Past: Ram Raz and the Treatise in South Asia’, Journal of the Society of Architectural Historians, vol. 71, no. 4, Special Issue on Architectural Representations 2, 2012, pp. 462–87

 

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V. Desai, Life at Court: Art for India’s Rulers, 16th–19th Centuries, Boston, 1985

 

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D. Diamond, C. Glynn, and K.S. Jasol, Garden and Cosmos: The Royal Paintings of Jodhpur, Washington, 2008

 

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A. Farooqui, Zafar and the Raj: Anglo-Mughal Delhi c. 1800–1850, New Delhi, 2013

 

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G. Farrell, Indian Music in the West, London, 1997

 

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E.B. Findly, Nur Jahan: Empress of Mughal India, Oxford, 1993

 

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D. Fisher and A. Read, The Proudest Day: India’s Long Road to Independence, London, 1997

 

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M.H. Fisher, A Clash of Cultures: Awadh, the British and the Mughals, Delhi, 1987

 

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M.H. Fisher, Counterflows to Colonialism: Indian Travellers and Settlers in Britain, 1600–1857, Delhi, 2004

 

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W. Foster, ‘Some Foreign European Artists in India’, Bengal Past and Present, vol. XL, Oct.–Dec. 1930, p. 81

 

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M. Fraser, From Kabul to Kolkata: Highlights of Indian Painting in the Fitzwilliam Museum, Cambridge, 2017

 

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W. Fullarton, View of the English Interests in India and an Account of the Military, London, 1788

 

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M. Gaenszle and J. Gengnagel, eds, Visualizing Space in Banaras: Images, Maps and the Practice of Representation, Oxford, 2008

 

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R. Gandhi, Punjab: A History from Aurangzeb to Mountbatten, New Delhi, 2013

 

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O.C. Gangoly, ‘The New Indian School of Painting’, Journal of Indian Art and Industry, vol. 17, 1916, pp. 48–54

 

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O.C. Gangoly, Ragas and Raginis, 2 vols, Calcutta, 1935

 

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O.C. Gangoly, Critical Catalogue of Miniature Paintings in the Baroda Museum, Baroda, 1961

 

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M.A. Ghani, A History of Persian Language & Literature at the Mughal Court, with a brief survey of the growth  of Urdu language, etc., part 2, Allahabad, 1929

 

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G.R. Gleig, Memoirs of the Life of Warren Hastings, 3 vols, London, 1841

 

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C. Glynn, ‘Rathore and Mughal Interactions: Artistic Development at the Nagaur Court, 1600-1751’, in Diamond et al. 2008, pp. 11–19

 

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B.N. Goswamy, ‘A Matter of Taste: Some Notes on the Context of Painting in the Punjab’, in Anand ed. 1981, pp. 61–78

 

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B.N. Goswamy, Painted Visions: The Goenka Collection of Indian Paintings, New Delhi, 1999

 

GOSWAMY 2006

B.N. Goswamy, See No Stranger: Early Sikh Art and Devotion, New York, 2006

 

GOSWAMY 2014

B.N. Goswamy, The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100–1900, London, 2014 

 

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B.N. Goswamy and E. Fischer, Wonders of a Golden Age: Painting at the Court of the Great Mughals; Indian Art of the 16th and 17th Centuries from Collections in Switzerland, Zurich, 1987

 

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B.N. Goswamy and E. Fischer, Pahari Masters: Court Painters of Northern India, Zurich, 1992

 

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M. Juneja, ‘Translating the Body into Image: The Body Politic and Visual Practice at the Mughal Court during the Sixteenth and Seventeenth Centuries’, in A. Michaels and C. Wulf, eds, The Body in India: Ritual, Transgression and Perfomativity,  New Delhi, 2011, pp. 243–66

 

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M.P. Kalim, ‘“A Right Royal Tamasha”: Imaging Queen Victoria as Kaiser-i-Hind’, Vides, vol. 4, 2016

 

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S.M. Khan, The Begums of Bhopal: A History of the Princely State of Bhopal, London, 2000

 

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M. Kia, ‘Adab as Ethics of Literary Form and Social Conduct: Reading the Gulistan in Late Mughal India’, in A. Korangy and D.J. Sheffield, eds, No Tapping around Philology: A Festschrift in Celebration and Honor of Wheeler McIntosh Thackston Jr.’s 70th Birthday, Wiesbaden, 2014, pp. 281–308

 

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E. Koch, ‘Renaissance Calendar Illustrations and the Representation of the Mughal Hunt’, in Islam and the Italian Renaissance: Papers of an International Colloquium held at the Warburg Institute and the Victoria and Albert Museum, London, 15–16 March 1996, London, 1996, pp. 167–76

 

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E. Koch, ‘The Hierarchical Principles of Shah-Jahani Painting’, in Beach and Koch 1997, pp. 131–43

 

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E. Koch, Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting, Washington, 1998 

 

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E. Koch, The Complete Taj Mahal, and the Riverfront Gardens of Agra, London, 2006

 

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E. Koch, ‘The Mughal Emperor as Solomon, Majnun, and Orpheus, or the Album as a Think Tank’, Muqarnas, vol. 27, 2010, pp. 277–311

 

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W. Komala, ‘The Windsor Castle Badshah Nama and its Place in the Development of Historical Painting during the Reign of Shah Jahan’, PhD thesis, University of Iowa, 1982

 

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J.P. Losty and J. Mittal, Indian Paintings of the British Period in the Jagdish and Kamla Mittal Museum of Modern Art, Hyderabad, 2016

 

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J.P. Losty, A Mystical Realm of Love: Painting from the Eva and Konrad Seitz Collection, London, 2017

 

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J.P. Losty and M. Roy, Mughal India: Art, Culture and Empire, London, 2012

 

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